By The Hilt

"What lies behind us and what lies before us are small matters compared to what lies within us." ~ Emerson

Archive for the tag “Quotes”

Character Building: Or, Suck It Up Princess

In my previous post, The Voices In My Head, I talked about how to identify a good character, but how about creating one?  I believe the key is this: flaws.  Good characters must have flaws: bad guys and good guys both.  No one is perfect in real life, so when you try to create someone perfect in fiction, it turns out flat and unbelievable.  Flaws are what make us human, and they’re also what make  us interesting.  There is little less interesting than a flawless character.  I think that’s why I always found Superman really boring – he only has one flaw/weakness, and it’s not a very interesting one.  It’s all or nothing.  No, great characters need flaws that are interesting, flaws that cause them to crumble when you least expect it, and, conversely, can be overcome when you least expect it.

Good characters also need to be developed.  They need to grow over the course of the story.  They need to learn, and adapt, and overcome.  Otherwise they’re just flat, and flat is boring.  Flat is fine for minor characters, at times, especially ones that are more plot devices than characters.  On the other hand, having more rounded characters will make your story that much richer.  But your main characters must grow, or else the reader will just get bored or frustrated with them and abandon your story.  The thing is, you can’t start out with a character that’s fully developed – it’s a process.  So either your character grows, or remains flat.  There is no third option.

Another vital aspect to characters is realism.  Now of course we have to keep in mind that obnoxiously true quotation: “The difference between fiction and reality is that fiction has to make sense.”  On the other hand, sometimes your characters and your plots does need just a tiny bit of something that just plain doesn’t make sense.  Characters, like people, can hold two contradicting beliefs.  They can do things that are totally irrational, even if they were otherwise the most rational entities in the world.  Things can happen for seemingly no reason.  Of course, all these things need to be carefully measured and balanced against the above quotation.  But adding just the right amount will make your characters more real and believable.  (This, of course, links in with flaws.)

Your characters also need to be motivated, and you the author need to know by what.  No one acts completely without reason.  Even if a person is unaware of their own reasoning before or during – or even after – a given action, that doesn’t that there is no motivation.  Knowing the rhyme and reason of your characters is vital for each of them to remain the character that they are.  A character acting irrationally is fine; a character acting outside of the bounds of their own character is not fine.  Characters need to act in character at all times to remain coherent entities.

And of course, your characters need a degree of complexity, an aspect which includes almost everything else I’ve mentioned. People are never simple; your characters shouldn’t be either.

So what do you think it takes to make good characters?  These are just a few random musings; what have I missed?

Write always,

E.S. Hilt


The Voices In My Head

“Shut up, voices, or I’ll poke you with a Q-tip again.” – source unknown

Characters are those pesky entities that many writers coexist with inside their heads.  Mine can be very vocal and distracting, pulling my attention away from matters at hand with no concern for how important those matters may be.  Then again, when time and circumstance allow, I can daydream for hours with them.  They make long car rides enjoyable and provide a kind of company when I’m bored.  Pesky though they may sometimes be, I don’t know what I’d do without them.

In every free moment, my mind will typically drift towards whatever story or characters are foremost in my mind.  I spend so much time with the “voices in my head” (so affectionately dubbed), that I wonder what other people think about when their mind isn’t occupied with pressing matters. Evidently these voices are both a blessing and a curse.  But on to the object of this blog entry: the characters themselves.

What makes a favorite character?  My favorite character is probably Herald Alberich of Karse, from Exile’s Honor by Mercedes Lackey.  He’s a strong character, steadfast in his convictions and, I’ll confess, I also love him because he’s a bit of a BAMF.  He’s far from flawless, but I love him just the same.  But why do I love him?  In part, it’s likely because I see a part of myself in him, or at least, how I would like to see myself, or what I aspire to.  Strength of conviction and strong morals are something I value a great deal.  And as for being a BAMF… well, that particular acronym will never describe me (since physically, I’m a total weakling), but it sure is fun to imagine.  But to extrapolate from this, looking at what makes a character a favorite is too personal to each individual to turn into a writing target.

So what makes a good character?  I must admit, the voices in my head aren’t always my characters, and my stories.  If I’m reading a good book, or have watched a good show or movie, those stories and characters can find their way into my consciousness too.  So all picky, technical or more objective attributes aside, that is how you tell if a particular character or story is a good one; it gets inside your head and won’t go away.  But what about those more objective standards?

I’ve never been one much for sticking to hard-and-fast categories for things.  I do like to analyze and dissect things (not physically, just mentally), but I’m smart enough to recognize that any generalizations that result are just that – generalizations, and not rules or laws.  What works for one person may not work for another.  No matter what kind of rule you write, something, somewhere, will break it.  Life and all the elements in it is far too complex to be captured in any paltry human rule, even when it comes to the human aspect of creativity.

In my books, a character is a good character if the reader reacts the way you want them to: hating the characters they’re supposed to hate, and loving the ones they’re supposed to love.  I always think of Delores Umbridge from the Harry Potter series.  Do you love to hate her as much as I do?  It’s in her design.  We’re supposed to hate her.  And it goes even further than that; we love to hate her.  That’s how we know she’s a good character.

So what are your thoughts, dear readers?  What do you love or hate about various characters?  Who are your favorite (and least favorite) characters?

Write always,

E.S. Hilt

Why I Write

Why do I write?

This is one of those questions that has an answer that is simultaneously blindingly obvious and sublimely unknowable.

I say blindingly obvious because anyone who spends every waking moment thinking about writing – about their story, or their characters, or some topic they intend to write about – will wonder why someone would ask that question.  Why wouldn’t I write?  Not writing would make no sense whatsoever.  And yet “why do I write?” is a legitimate question.  And when the attempt is made to answer the question, we get to the “sublimely unknowable” part of the answer.

I say “sublimely” because even if I can’t articulate the answer, I know that the answer is a really good one: amazing, in fact, to the point where it doesn’t even matter what the answer is.  Yet articulating is supposed to be what I do, as a writer, so the question will niggle at me until I answer it.  So first I have to deal with that “unknowable” bit, and get it out of the way.

I say “unknowable” because wanting to write isn’t a conscious thought, but a feeling.  Sometimes it’s even a demand, from deep in my core, that compels me to write whether or not it’s convenient for me at the time.  The reason I write is because I must; writing is a desire, an urge, so powerful that you could almost say that it’s involuntary. There’s a quote from a movie called Sister Act 2:

I went to my mother, who gave me this book called “Letters To A Young Poet” by Rainer Maria Rilke.  He’s a fabulous writer.  A fellow used to write to him and say: “I want to be a writer. Please read my stuff.”  And Rilke says to this guy: “Don’t ask me about being a writer. If, when you wake up in the morning, you can think of nothing but writing…  then you’re a writer.”

And yet there is even more to it than that.

Why do I write?  There is an answer; I know this.   There are mundane reasons, of course: there are stories that I want to tell, characters I want to share, and messages I want to impress upon people.  But giving that as the answer to “Why do I write?” is like being asked “Who are you?” and replying with just your name.  Well, yes, technically that is an answer that satisfies the question in the strictest sense, but learning your name tells me nothing about who you are.

So why do I write?  The answer is this:  I write because there is nothing more amazing, more beautiful, more exciting, more fulfilling, or more exhilarating than the act of creation that is writing.  There is simply nothing more incredible.  When I write, it’s a like the most beautiful song in the world is vibrating throughout my entire body.  My heart and soul are never more engaged or more joyous than when inspiration fills me to the brim and overflows, and I write freely.  That is why I write.

Why do you write?

Write always,

E.S. Hilt


P.S. I love all comments, people!  Even if they’re only somewhat related, fire away!  Share any thoughts, opinions, comments, and questions – I welcome them all!

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